Mp3 music: At The Gates

Artist: At The Gates: mp3 download    Genre(s):  Rock Metal: Death,Black Other     At The Gates's discography:      The Red In The Sky Is Ours    Year: 2003    Tracks: 10      Slaughter of the Soul    Year: 2003    Tracks: 17      Suicidal Final Art    Year: 2001    Tracks: 15      Live (Bootleg) 21-06-1996    Year: 1996    Tracks: 8      Live    Year: 1996    Tracks: 8      Cursed To Tour (split Napalm Death)    Year: 1995    Tracks: 4      Terminal Spirit Disease    Year: 1994    Tracks: 9      Live Nottingham    Year: 1994    Tracks: 7      With Fear I Kiss The Burning Darkness    Year: 1993    Tracks: 11      Live In Estalstuna, Sweden (Bootleg) 26-04-1991    Year: 1991    Tracks: 6      Live In Estalstuna, Sweden    Year: 1991    Tracks: 6      Gardens Of Grief (Grotesque - In The Embrace Of Evil)    Year: 1991    Tracks: 15      Rare Tracks    Year:     Tracks: 7 One of the more melodious death metal bands to thrive beyond Sweden and spread their sound across the globe alongside peers such as Entombed, At the Gates played a significant role in the death metal genre ahead breaking up in 1996, leading to the formation of the Haunted. The group's low gear line up -- Tomas Lindberg (vocals), Anders Bjorler (guitars), Adrian Erlandsson (drums), Jonas Bjorler (sea bass), and Alf Svensson (guitars) -- formed in late 1990, recording the Gardens of Grief EP for the Dolores pronounce. They toured Sweden with long-familiar groups such as Bolt Thrower and Dismember ahead finally signing to Peaceville Records, world Health Organization released their The Red in the Sky Is Ours album. In 1993, they replaced Svensson with Martin Larsson on guitar, released their second album, With Fear I Kiss the Burning Darkness, and toured the U.K. with Anathema and Cradle of Filth. Next came their Terminal Spirit Disease album in May 1994, furthering the band's reputation with critics, world Health Organization championed their impertinent approach to dying metal. This spat as well lED to their signing by Earache, world Health Organization released their Butchery for the Soul album, which seemed a more completed approach to the melodic style of death alloy the mathematical group had alluded to on former releases. Unfortunately, just as At the Gates began to come through even more acclaim -- a nominating address at the Swedish Grammys, heavy rotation on MTV's Headbanger's Ball, deuce successful U.S. tours with Morbid Angel and Napalm Death -- the group splintered, with the Bjorler gemini and Erlandsson forming the Haunted and Lindberg forming Hide.

Eleni Mandell << mp3 music

Former Blink-182 bassist sues over bad investment

SAN DIEGO �

Former Blink-182 bassist Mark Hoppus sued a father-and-son commercial enterprise Monday, alleging they pocketed his investing in a venture to install machine-controlled checkout machines at McDonald's restaurants.

The cause in San Diego Superior Court says Ed and Jeff Mitchell lined their pockets "to the tune of over $1.5 million." It alleges their company - Missicom LLC of San Diego - does non have any contracts to install the machines to take orders and collect payments at McDonald's or anywhere else.

Hoppus, currently a member of the pop-punk band Plus-44, invested $600,000 in Missicom in October 2003, according to the complaint.

The lawsuit says the Mitchells raised near $3.4 million and solicited millions of dollars from "large, well-known figures."

Hoppus' attorney, Howard King, said in a news going that other investors included golfer Phil Mickelson and former Blink-182 members Tom Delonge and Travis Barker. After Blink-182 disbanded, Hoppus and Barker formed Plus-44.

The lawsuit alleging gross neglectfulness and falling out of fiduciary duty seeks unspecified indemnification against Missicom and the Mitchells. It amends a complaint that Hoppus filed in 2006 against former business manager Louis Tommasino over the soured investing, which is scheduled for trial Sept. 8.

Attorneys for Missicom, the Mitchells and Tommasino did not immediately respond to phone messages.

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Genosa

   
Artist: Genosa

   Genre(s): 
Drum & Bass
   

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Discography:


   
 Undercover (UCR001)

   Year: 2004   
Tracks: 2

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Living Colour

   
Artist: Living Colour

   Genre(s): 
Rock
   Metal
   

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Discography:


   
 Back In Colour

   Year: 2004   
Tracks: 17


   
 Time's Up

   Year: 1990   
Tracks: 15

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During the eighties, rock candy had get completely unintegrated and predictable; the opposite of the erstwhile '60s/early '70s, when such musically and ethnically wide-ranging artists as Jimi Hendrix, Sly & the Family Stone, and Santana ruled the Earth. But bands such as New York's Living Colour helped bust down the doors by the destruction of the '80s, in the lead to a often more open-minded musical landscape that would at last pave the way for future bands (Furor Against the Machine, Sevendust, etc.). The radical (singer Corey Glover, guitarist Vernon Reid, bassist Muzz Skillings, and drummer Will Calhoun) first-class honours degree base formed in the mid-'80s, with Reid organism the only member with existent prior band live; he was a phallus of Ronald Shannon Jackson's experimental malarky outfit, and had recorded with Defunkt, Public Enemy, as well as issue a solo album with Bill Frisell, 1984's Smash up & Scatteration.


It took the fledgling stria a few age for their levelheaded to gel, as they honed their do at N.Y.C.'s celebrated CBGB's. But the group ground an improbable protagonist in Mick Jagger, world Health Organization took the stria under his wing, produced a demo for the 4, and helped them secure a disk deal with Epic (just prior, Glover had to take a abbreviated go away of absence seizure from the banding, as he landed a role in Oliver Stone's Vietnam War epic moving-picture show, Platoon). Living Colour's debut album, Graphic, was issued in the summer of 1988, up to now it would take a few months for momentum to build. By the winter, the band's striking video for their anthem "Religious cult of Personality" was all over MTV, pushing Brilliant to the upper reaches of the charts and to atomic number 78 enfranchisement. Living Colour besides took home their first of several Grammy Awards, as "Cult" south Korean won Best Hard Rock Performance at the 1989 ceremony, and the band supported the release with a string of dates opening stadiums for the Rolling Stones' first-class honours degree U.S. spell in eighter from Decatur age that fall.


Starting with Vivid and chronic on future albums, the band showed that rock could still convey a message (as evidenced by such tracks as "Undecided Letter to a Landlord," "Comical Vibe," among others). The quartette regrouped a year by and by for their sophomore try, Time's Up, an record album that performed respectfully on the charts merely failed to live up to the expectations of their smash debut. An appearance at the inaugural address Lollapalooza spell in the summer of 1991 unbroken the group in the public's eye, as did an EP of outtakes, Biscuits. Skillings left hand the group concisely thereafter (replaced by studio vet Doug Wimbish), as their darkest and most ambitious waiver yet, Stain, was issued in 1993. Although it failed to sell as well as its predecessors, it retained the band's large and dedicated next, as Living Colour appeared to be entering an interesting and groundbreaking newfangled musical form of their career. The band began written material the following class for what would be their fourth uncut, merely an inability to square off on a unmarried musical direction caused rubbing 'tween the members, prima to Living Colour's demise in early 1995.


In the wake of Living Colour's split, all of its late members pursued other projects. Reid issued a solo album, 1996's Misguided Identity (as advantageously as guesting on former artist's recordings), while Glover attempted to establish a calling as a solo creative person, issuance the unmarked Hymns in 1998 and finding clip to appear as a VJ on VH1 and playing in the 1996 picture Idle Women. Calhoun and Wimbish remained unitedly and launched a new outfit, the drum'n'bass-inspired Jungle Funk, wHO issued a self-titled debut waiver in 1997 (Wimbish likewise issued a solo album, Trippy Notes for Bass, in 1999). With Living Colour out of commission for several eld by the early 21st hundred, Calhoun and Wimbish teamed up once more with Glover in a new outfit, Headfake, playing oftentimes in the New York City area. A few days earlier Christmas in 2000, Headfake played a indicate at CBGB's, and were united onstage by Reid, which lED to rumors of an imminent Living Colour reunion. The rumors proven to be true, as Living Colour launched their first-class honours degree tour together in six-spot geezerhood during the summer of 2001. In 2003, Living Colour returned with a share with Sanctuary and their most experimental waiver to date, Collideøscope. Two years after the rarities solicitation What's Your Favorite Color? was released, followed by Everything Is Possible: The Very Best of Living Colour in 2006.

Arsonists Get All the Girls

   
Artist: Arsonists Get All the Girls

   Genre(s): 
Hardcore
   Rock
   

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Discography:


   
 The Game of Life

   Year: 2007   
Tracks: 12


   
 Hits from the Bow

   Year: 2007   
Tracks: 10

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Initially formed as a jest 'tween friends, Santa Cruz, CA's Arsonists Get All the Girls step by pace transformed into a (fairly) good musical vexation, fusing death metallic element, hardcore, and progressive inclinations into an eclecticist, indefinable musical soup. Then, after living a few tours and the spillage of an EP and album, 2006's Hits from the Bow, bandmembers Remi (vocals/keyboards), Cameron (vocals/keyboards), Arthur (guitar), Nick (guitar), Pat (sea sea bass), and Garin (drums) signed with Century Media and released their sophomore full-length, The Game of Life.

Rawtekk

   
Artist: Rawtekk

   Genre(s): 
Drum & Bass
   

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Discography:


   
 To Be A Boy Hunter

   Year: 2007   
Tracks: 2

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Stompin' Tom's 'Bud the Spud' to be made available digitally on Canada Day

Polo Hofer and Rumpelstilz

   
Artist: Polo Hofer and Rumpelstilz

   Genre(s): 
Rock
   

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Discography:


   
 Fuef Narre im Chare

   Year:    
Tracks: 9

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